• Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • 1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1339,1200
  • Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
  • KAISER

    Der Kaiser von Atlantis
    COMPOSED BY  VIKTOR ULLMAN  |  LIBRETTO  PETER KIEN

    Greenwich Music Festival | Central City Opera & The Colorado Symphony
    THE THEATER AT ST. CATHERINE OF SIENNA  Riverside, CT  |  THE NEWMAN CENTER  Denver, CO

    DIRECTED BY
    TED HUFFMAN
    CHOREOGRAPHY
    ZACK WINOKUR

    SCENIC DESIGN
    MARCUS DOSHI
    COSTUME DESIGN
    PAUL CAREY

    LIGHTING DESIGN
    MARCUS DOSHI
    WIG DESIGN
    DAVE BOVA

    MAKEUP DESIGN
    BRIDGET RITZINGER

    PHOTOS  JOANNE BOUKNIGHT & AMANDA TIPTON

    REVIEWS

    "Given an Expressionist bipartite wig and Joker-like grimace...Pracht reveled in the most striking of Paul Carey's fine, apt costumes - army jacket over flared skirt, with terrifying extended plastic arms. She loped about exhorting men to battle like a nightmare Preziosilla..."opera news

    "The homespun quality of the set also functioned because it stood in humble contrast to the superbly high quality of the performers (brilliantly costumed by Paul Carey), who grabbed our full attention from the first note and never let go."operaticus.com

    "Paul Carey's costumes did not fall prey to stylish contemporary anachronism; instead they paid homage to the era while simultaneously giving the impression of having been thrown together from the scraps of clothing that Terezin's prisoners might have had on hand."Opera (UK)

    1800,1200
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